STILL

Here dominating is the white that surrounds everything but which has a precise function, that of inducing the viewer to focus attention on the forms, on the folds of the fabric and on the mysterious atmosphere in which we feel we have fallen. But Stefania Ricci completes a very refined operation (citing the spirit of some of Man Ray's works) on the one hand hiding all her subjects and on the other by making sure that by covering them it is possible to reveal them and make them recognizable. But the beauty is that the operation succeeds even when men and women who hold the portrait proof surprisingly are also hidden / revealed.